In some ways the work of Jacob Burckhardt is a strange place to start for a book interested in the philosophy of history. Burckhardt himself wasn't interested in philosophy of history as he rejected the idea of an historical telos, be it a secular belief in progress or a theologically infused eschatology. Burckhardt was interested in developing "the historical sense" which can be thought of as a kind of continuity between past and present.
This can be a little misleading if we think of a "continuity" as being a thing that persists through time. Continuities, in Löwith's view of Burckhardt, are the products of the historical sense. Historians investigating, selecting, prioritizing and interpreting the facts of history uncover or create continuity. If this is true, however, the objection can be raised that isn't there the danger of the historian simply reading the concerns of the present day back into the past where they do not necessarily belong? To Burckhardt, however, these concerns are misplaced. Every generation will, of necessity, interpret the past in such a way to draw out continuities that were possibly not recognized before, or rediscover continuities long forgotten. Continuities will always connect the present with the past, so we shouldn't be surprised when it does so.
There are interesting consequences from such a view of history. Take, for example, the idea of tradition. Far from the stultifying force it is often presented as, for Burckhardt tradition is free and creative. "Conscious historical continuity constitutes tradition and frees us in relation to it. The only people who renounce this privilege of historical consciousness are primitive and civilized barbarians." (MiH: pg. 22) In this conception, tradition is not an ossified thing but a perpetually revised and renewed understanding of the world and our place in it.
Burckhardt put forward his vision of tradition informed by historical continuity against the penchant of the 19th Century for permanent revolution. Indeed, there is something quixotic or pessimistic in Burckhardt's formula. The "civilized barbarians" of the revolutionary movements were everywhere and growing in influence, stature and power. Revolutions, in the mold of the French Revolution onward, do not seek continuity except to root it out and destroy it. Tradition, and the past more generally, is to be forever banished. These revolutionary movements were inherently and irrevocably radical. At this point Löwith quotes passages from Burckhardt that sound both prophetic and apocalyptic. Images of modern nation states turned into factories of war, where all liberal and democratic impulses are subsumed into the expediency of dutiful obedience to authority, bring images of the rise of 20th Century totalitarianism immediately to mind. However, prognosticating the future 70 years on most likely is not what Burckhardt was doing. Historical consciousness is a process of the past and present. The future, or at least the distant future, doesn't enter into it. Indeed, predicting the future in such a way would suggest a telos of some sort which Burckhardt flatly rejected. Being Swiss Burckhardt's "visions" probably had much more to do with the current state of affairs in neighboring Bismarckian Germany rather than Nazi Germany.
That being said, might it not be possible that we are engaged in an act of historical continuity building when we want to draw upon Burckhardt's work to bring to light such parallels?
Showing posts with label books. Show all posts
Showing posts with label books. Show all posts
Thursday, June 30, 2016
Wednesday, June 29, 2016
Meaning in History by Karl Löwith: Introduction
Meaning in History
Karl Löwith
University of Chicago Press, 1949
Löwith begins his book, sensibly enough, by defining his topic. He is writing about the philosophy of history by which he means, "a systematic interpretation of universal history in accordance with a principle by which historical events and successions are unified and directed toward an ultimate meaning." (MiH: pg. 1) This definition has a noteworthy benefit for us, the readers. It narrows the field of inquiry considerably. We need not concern ourselves with either the voluminous content of history, nor with the techniques or methodologies of the historian. Only those, blissfully rare, attempts to construct universal historical meaning need be considered.
Löwith's approach, however, is broad enough to encompass ancient and medieval thought as well as modern approaches. Indeed, the entire premise of the book is to show how the attempts to construct universal historical meaning have their roots in the theological constructs of the Judeo-Christian worldview. The religious idea of salvation as a worldly reality (as opposed to an other-worldly fulfillment) is the point of origin for all attempts to find meaning in history. So, in a very Nietzchean manner, Löwith proposes to sketch a genealogy of the idea of universal history, tracing it backwards through time from more recent incarnations to its earliest manifestations in the ancient world.
That we would need to undertake such a work seems obvious to Löwith. As a German writing in the aftermath of the Second World War it is easy to understand how he views the world as "at the end of the modern rope." (MiH: pg. 3) The easy faith in reason and progress which dominated the modern mind in the 18th Century has been eroded by the actual path history has taken. If the idea of meaning in history is not to devolve into a impotent lament of "one damn thing after another," breaking the complex of ideas that is the philosophy of history might allow us to recover something helpful that had become obscured during the transition from a religious past to a secular present. Löwith suggests there is something within the Christian conception of history that makes a more compelling argument about the reality of evil and suffering in the world than in "the modern illusion that history... solves the problem of evil by way of elimination." (MiH: pg. 3) However, Löwith is not encouraging us to recover the philosophy of history inherent in ancient Christian or Judaic thought and make it our own. Instead he wants us to recognize that the manner in which human beings attempt to make sense of the world they live in will of necessity be religious and philosophic. It will not afford us the possibility to give a final and ultimate answer in the manner of working through a algebraic formula. It will always allow for further questioning.
It is this eternal questioning which the ancient pagan world did not allow. For them the world had known boundaries and was marked by the regular procession of moments: season followed season, death followed life, decay followed growth. The sheer regularity of these "movements" allowed for the ancient pagan to think of the world as filled with ends that could be rationally explained and planned for by people. However, none of these ends were ultimate. They simply were someplace on the cycle of existence, a someplace that is of no special significance. As such, history itself could not be meaningful for the ancient mind because there was no telos, no end to which historical existence was pointing.
Löwith sees a kind of neo-paganism at work in the attempts by writers such a Tocqueville, Spengler and Toynbee to prognosticate the future. As such they too do not represent a real attempt to provide meaning to history and, thus, fall outside the defined realms of the philosophy of history, as do their ancient predecessors.
Karl Löwith
University of Chicago Press, 1949
Löwith begins his book, sensibly enough, by defining his topic. He is writing about the philosophy of history by which he means, "a systematic interpretation of universal history in accordance with a principle by which historical events and successions are unified and directed toward an ultimate meaning." (MiH: pg. 1) This definition has a noteworthy benefit for us, the readers. It narrows the field of inquiry considerably. We need not concern ourselves with either the voluminous content of history, nor with the techniques or methodologies of the historian. Only those, blissfully rare, attempts to construct universal historical meaning need be considered.
Löwith's approach, however, is broad enough to encompass ancient and medieval thought as well as modern approaches. Indeed, the entire premise of the book is to show how the attempts to construct universal historical meaning have their roots in the theological constructs of the Judeo-Christian worldview. The religious idea of salvation as a worldly reality (as opposed to an other-worldly fulfillment) is the point of origin for all attempts to find meaning in history. So, in a very Nietzchean manner, Löwith proposes to sketch a genealogy of the idea of universal history, tracing it backwards through time from more recent incarnations to its earliest manifestations in the ancient world.
That we would need to undertake such a work seems obvious to Löwith. As a German writing in the aftermath of the Second World War it is easy to understand how he views the world as "at the end of the modern rope." (MiH: pg. 3) The easy faith in reason and progress which dominated the modern mind in the 18th Century has been eroded by the actual path history has taken. If the idea of meaning in history is not to devolve into a impotent lament of "one damn thing after another," breaking the complex of ideas that is the philosophy of history might allow us to recover something helpful that had become obscured during the transition from a religious past to a secular present. Löwith suggests there is something within the Christian conception of history that makes a more compelling argument about the reality of evil and suffering in the world than in "the modern illusion that history... solves the problem of evil by way of elimination." (MiH: pg. 3) However, Löwith is not encouraging us to recover the philosophy of history inherent in ancient Christian or Judaic thought and make it our own. Instead he wants us to recognize that the manner in which human beings attempt to make sense of the world they live in will of necessity be religious and philosophic. It will not afford us the possibility to give a final and ultimate answer in the manner of working through a algebraic formula. It will always allow for further questioning.
It is this eternal questioning which the ancient pagan world did not allow. For them the world had known boundaries and was marked by the regular procession of moments: season followed season, death followed life, decay followed growth. The sheer regularity of these "movements" allowed for the ancient pagan to think of the world as filled with ends that could be rationally explained and planned for by people. However, none of these ends were ultimate. They simply were someplace on the cycle of existence, a someplace that is of no special significance. As such, history itself could not be meaningful for the ancient mind because there was no telos, no end to which historical existence was pointing.
Löwith sees a kind of neo-paganism at work in the attempts by writers such a Tocqueville, Spengler and Toynbee to prognosticate the future. As such they too do not represent a real attempt to provide meaning to history and, thus, fall outside the defined realms of the philosophy of history, as do their ancient predecessors.
Tuesday, May 07, 2013
The Reading List Grows
Well, the first trip to the bookstore has taken place and the reading list has doubled in size to four with the purchases of Chuck Thompson's Smile When You're Lying: Confessions of a Rogue Travel Writer, and Sean McMeekin's July, 1914: Countdown to War.
These were something of a no brainer for me to pick up. Slightly irreverent travel writing is right up my alley, as is any history book that blames the occurrence of the First World War on Russia - right where it belongs. McMeekin also wants to blame France, so I'm intrigued to see what his evidence is.
The trick now will be to not begin to read these until after the semester is over. Easier said than done.
These were something of a no brainer for me to pick up. Slightly irreverent travel writing is right up my alley, as is any history book that blames the occurrence of the First World War on Russia - right where it belongs. McMeekin also wants to blame France, so I'm intrigued to see what his evidence is.
The trick now will be to not begin to read these until after the semester is over. Easier said than done.
Monday, May 06, 2013
Summer Reading
This is the last week of classes at the university where I teach, which means next week is finals. After that I'm only a few grueling days of grading away from summer. (Which would be especially welcome if it ever stops snowing around here.)
Summer means reading.
Which is, oddly enough, a bit of a problem.
Usually, at this point I've got a stack of books I've procured since last summer waiting to be devoured over the next couple of months. As of right now I have two so far this year; Alan Furst's Blood of Victory, which I picked up years ago and never got around to reading, and Jeff Shelton's Caleb & Callie. Jeff is an online acquaintance of mine, and a hell of a power pop songwriter and performer. (In fact, his new band Hot Nun will make up part of the soundtrack for my summer.) I'm looking forward to diving into his first novel.
The problem is that is it. It is almost disconcerting how unconnected I am to the world of books. Oh, I peruse the catalogs of academic philosophy and social science that fill up my mail box at work, and some of those find their way into my shelves. The larger world of books, however, escape my notice.
This is particularly trying to me as once upon a time I was plugged very deeply into the book world. I managed a good little bookshop for a number of years and got used to being immersed in a sea of books, where currents of information on the new and interesting was constantly at hand. But as time has gone on I've lost touch with those currents and I find out about books in a haphazard way. We do take the London Review of Books, but really it is a terrible waste. The "reviews" are most often not about books at all, but merely a venue for the article writer to tell you how they view the world. It doesn't help that those views are among the most moralizing and self-congratulatory you will ever find. (Really, when did priggishness make its comeback? Oh, my God, is it annoying.)
Soon, I will make my traditional late spring trip to the local bookstores to see what may be there to catch my eye, but usually that effort was merely to add one or two titles to round out the selection. Never before has it been expected to supply the bulk of the reading list.
I will keep reader here informed of how it goes. I also plan to post little reviews of the things I read this summer.
Any suggestion readers may want to share can be left in the comments. They will be appreciated.
Summer means reading.
Which is, oddly enough, a bit of a problem.
Usually, at this point I've got a stack of books I've procured since last summer waiting to be devoured over the next couple of months. As of right now I have two so far this year; Alan Furst's Blood of Victory, which I picked up years ago and never got around to reading, and Jeff Shelton's Caleb & Callie. Jeff is an online acquaintance of mine, and a hell of a power pop songwriter and performer. (In fact, his new band Hot Nun will make up part of the soundtrack for my summer.) I'm looking forward to diving into his first novel.
The problem is that is it. It is almost disconcerting how unconnected I am to the world of books. Oh, I peruse the catalogs of academic philosophy and social science that fill up my mail box at work, and some of those find their way into my shelves. The larger world of books, however, escape my notice.
This is particularly trying to me as once upon a time I was plugged very deeply into the book world. I managed a good little bookshop for a number of years and got used to being immersed in a sea of books, where currents of information on the new and interesting was constantly at hand. But as time has gone on I've lost touch with those currents and I find out about books in a haphazard way. We do take the London Review of Books, but really it is a terrible waste. The "reviews" are most often not about books at all, but merely a venue for the article writer to tell you how they view the world. It doesn't help that those views are among the most moralizing and self-congratulatory you will ever find. (Really, when did priggishness make its comeback? Oh, my God, is it annoying.)
Soon, I will make my traditional late spring trip to the local bookstores to see what may be there to catch my eye, but usually that effort was merely to add one or two titles to round out the selection. Never before has it been expected to supply the bulk of the reading list.
I will keep reader here informed of how it goes. I also plan to post little reviews of the things I read this summer.
Any suggestion readers may want to share can be left in the comments. They will be appreciated.
Tuesday, September 01, 2009
In Praise Of Hardcover Books
I read this over at First Things: The End of the Hardcover?
This caused me to respond as follows:
I’m sitting here in my office looking at my shelf and my eyes falls upon a hardcover book. It’s an 1895 3rd edition of “The Foundations of Belief” by Arthur Balfour. Inside I see marbled end papers and gold embossing informing me that the book was bound by E. H. Wells in London. Another label tells me the book was sold by W. Whiteley, Scribner and C., located on Westbourne Grove (London as well.) I flip through the book and I notice it is rock solid. Even after 114 years not a page is loose and the spine is perfectly intact. But mostly, it feels like a book, a real book. It feels like it is meant to last, and not simply a commodity to be consumed.
Near this book I see another book, a paperback; a good quality paperback. It’s a Dover paperback, printed sometime after 1966, “Charles S. Peirce: Selected Writings”. The back of this book solemnly informs me, “The binding will not crack or split. This is a permanent book.”
I notice the binding is split in two places. The front and back covers are creased, and a small piece has been torn from the back cover (the result of one of too many moves probably.) There are no loose pages (despite the cracks), so there is no thought of replacing the book. It still can provide everything it provided me when I bought it in the 1980’s. Yet…there is nothing beautiful about this book. If I lost it tomorrow I could just buy a new one and that would be that. It is merely a thing. Yes, it contains interesting ideas and theories, but, as an object, it has no history, no connection to other human beings. Consequently, it feels like less of a book then the bound volume.
As I look at my shelves in general I see a pattern. The books I really love are in hardcover, regardless of the format I originally read them. I didn’t do it on purpose. I’ve just seen them in a used bookstore and thought, “Oh it would be nice to get this.” Why? They contain the same words. I could just go home and pull out my old trade or mass market paperbacks and it would be exactly the same experience, right?
Yet, there they are. William Dalrymple’s “From the Holy Mountain,” Richard Adams’ “Watership Down,” Pope John XXIII’s “Days of Devotion,” and many others. Now, I could chalk it up to my being nothing more than a profligate spender…but, for the life of me, that doesn’t ring true.
As a free market bibliophile, I love the idea of living in a world where every book is sold at “between zero and $9.99″ (and since my own book doesn’t sell for much more than that, I’m fine with it as an author too). My favorite format is the trade paperback, though I now read ebooks on my Kindle and iPhone. Hardcovers have always been too bulky and expensive. And I hate paying $10-15 more for a book when I know that in a few months it will be released in my preferred form.
Large publishing houses like Hachette Livre may suffer in the short term because of technological changes and market pressures, but the end of the hardcover would be a boon to authors, publishers, and book buyers. By reducing the distribution cost—and reducing the cost of entry into the world of publishing—new companies could enter the market, providing a range of new opportunities and options for writers and readers.
But maybe I’m missing something? What would be lost of the era of the hardcover were to end?
This caused me to respond as follows:
I’m sitting here in my office looking at my shelf and my eyes falls upon a hardcover book. It’s an 1895 3rd edition of “The Foundations of Belief” by Arthur Balfour. Inside I see marbled end papers and gold embossing informing me that the book was bound by E. H. Wells in London. Another label tells me the book was sold by W. Whiteley, Scribner and C., located on Westbourne Grove (London as well.) I flip through the book and I notice it is rock solid. Even after 114 years not a page is loose and the spine is perfectly intact. But mostly, it feels like a book, a real book. It feels like it is meant to last, and not simply a commodity to be consumed.
Near this book I see another book, a paperback; a good quality paperback. It’s a Dover paperback, printed sometime after 1966, “Charles S. Peirce: Selected Writings”. The back of this book solemnly informs me, “The binding will not crack or split. This is a permanent book.”
I notice the binding is split in two places. The front and back covers are creased, and a small piece has been torn from the back cover (the result of one of too many moves probably.) There are no loose pages (despite the cracks), so there is no thought of replacing the book. It still can provide everything it provided me when I bought it in the 1980’s. Yet…there is nothing beautiful about this book. If I lost it tomorrow I could just buy a new one and that would be that. It is merely a thing. Yes, it contains interesting ideas and theories, but, as an object, it has no history, no connection to other human beings. Consequently, it feels like less of a book then the bound volume.
As I look at my shelves in general I see a pattern. The books I really love are in hardcover, regardless of the format I originally read them. I didn’t do it on purpose. I’ve just seen them in a used bookstore and thought, “Oh it would be nice to get this.” Why? They contain the same words. I could just go home and pull out my old trade or mass market paperbacks and it would be exactly the same experience, right?
Yet, there they are. William Dalrymple’s “From the Holy Mountain,” Richard Adams’ “Watership Down,” Pope John XXIII’s “Days of Devotion,” and many others. Now, I could chalk it up to my being nothing more than a profligate spender…but, for the life of me, that doesn’t ring true.
Subscribe to:
Posts (Atom)